Marina Klimchuk
Marina Klimchuk lives in southern Tel Aviv and works with Eritrean refugee children in a therapeutic day care centre
The black spot is all we don’t understand. We can put our head inside and peak, but never grasp it. The gap is in the space and in the mind. Sometimes it is obvious, sometimes abstract, but always real.
Coffee downtown. Where is the border between Wittenberg and the world?
July in Wittenberg.
Reflections on borders. Where is the border to your neighbour?
“Blanket Out” vs. Visible.
Bildende Künstlerin, transdisziplinäre und -kulturelle Forschung mit arabesken Organisationsstrukturen und syntopischen Werkstrukturen.
* Der Prototyp der Glaskuben stammt aus der künstlerischen Werkstruktur SYNTOPIAN VAGABOND, die hier mit dem transkulturellen Projektansatz von GLASPALÄSTE durch die gemeinsame Rahmenstruktur der Glaskuben verbunden wird. Dadurch wird die Grenze zwischen Bildender Kunst und anderen kulturellen Bereichen ausgelotet.
Fine artist, transdisciplinary and transcultural research with arabesque organisational structures and syntopic work structures.
* The prototype of the glass cubes comes from the artistic work structure SYNTOPIAN VAGABOND, which is linked here to the transcultural approach of GLASPALÄSTE through the common structure of the glass cubes. Thus the boundary between contemporary art and other cultural areas is explored.
Soziologin und Medienwissenschaftlerin, Schwerpunkte in Forschung und Lehre: Stadt- und Raumforschung, Medien, Gender und Klasse.
Sociologist and media theorist, focussing on research and teaching: city and urban planning, media, gender and class.
Juliane Zellner studierte Theaterwissenschaft (M.A.) in München, Urban Studies (MSc.) in London und promoviert derzeit an der Hafencity Universität im Fachbereich Kultur der Metropolen.
Juliane Zellner holds a degree in Theatre Studies (M.A.) from LMU Munich and a degree in Urban Studies (MSc) from UCL London.
Currently she is a PhD Candidate in the Department of Metropolitan Culture at the HCU Hamburg.
